My anthropologist professor informed the class that every amassing ritual has a fail-break to stop it. Her example was the point in the wedding ceremony where the congregation is asked that if anyone knows of a reason why the couple shouldn’t wed to “Speak now or forever hold your peace.” Other times rituals fail because they weren’t properly executed and require, if possible, a redo. Being reborn is more ritualistic than natural in that sense. There’s a moment when one, realizing who God is, can reject God and even turn away from the foundational truths he admitted to. But there also appears to be a moment when, after accepting God, an uneasiness settles in. Just like a newborn crying in hunger or coldness or the desire to be held firm, those of us who go through rebirth are just as full of discomfort as we are dazzled by the spiritual world that we’re exposed to.

This apologetic is not about turning a hand up against Christ, but about the merits of incorporating the Jewish lifestyle with all its blessings and curses as a Christian. It’s a journey of a man towards the God that accepts and loves despite our grievous nature, but also about a God of Law and justice that lays out the rules in life and the consequences of disobedience.

For by grace you have been saved through faith, and that not of yourselves; it is the gift of God, not of works, lest anyone should boast. For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them. – Ephesians 2:8-10

Most pastors stop before talking about why we were created. That’s where my journey begins: “For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them.”

Workmanship is the quality of integrity applying to the physical evidence of the crafts of a particular culture, people, or artisan. We could apply that definition directly here. Those whom God has called are to demonstrate love and righteousness to the the world as evidence of the fruit of the spirit that God provides. In short, we are defined as the goodness of the hand of God on the Earth. It’s important, though, to recognize the pretext because it humbles us and defines our relationship with God.

“For by grace you have been saved through faith, and that not of yourselves; it is the gift of God, not of works, lest anyone should boast.”

But do you want to know, O foolish man, that faith without works is dead? Was not Abraham our father justified by works when he offered Isaac his son on the altar? Do you see that faith was working together with his works, and by works faith was made perfect? And the Scripture was fulfilled which says, “Abraham believed God, and it was accounted to him for righteousness.” And he was called the friend of God. You see then that a man is justified by works, and not by faith only. Likewise, was not Rahab the harlot also justified by works when she received the messengers and sent them out another way? For as the body without the spirit is dead, so faith without works is dead also. – James 2:20-26

What happens to Ephesians 2 if faith is dead? This is not intended to open a debate between Calvinism and Armenianism, but invariably does so anyway. Instead I’m just going to point out three fundamentals presented in these two texts.

• It’s grace through faith that saves us.
  • Faith without works is dead.
• We are created for good works that God has already prepared for us to do.

What I see is an obvious statement. Those who have the faith for God’s grace to save, are also compelled to do good works. But “good” in the human psyche is relative. Fortunately, Christ recognized this when presenting a profound statement to a young (unmarried), wealthy merchant.

Now as Jesus was going out on the road, one came running, knelt before Him, and asked Him, “Good Teacher, what shall I do that I may inherit eternal life?” So Jesus said to him, “Why do you call Me good? No one is good but One, that is, God. You know the commandments: ‘Do not commit adultery,’ ‘Do not murder,’ ‘Do not steal,’ ‘Do not bear false witness,’ ‘Do not defraud,’ ‘Honor your father and your mother.’” And he answered and said to Him, “Teacher, all these things I have kept from my youth.” Then Jesus, looking at him, loved him, and said to him, “One thing you lack: Go your way, sell whatever you have and give to the poor, and you will have treasure in heaven; and come, take up the cross, and follow Me.” But he was sad at this word, and went away sorrowful, for he had great possessions. – Mark 10:17-22

Only God is good. That sets a very high standard. That means for us to do good, we must be as righteous as God. Although this is an impossible achievement from man alone, we have righteousness in faith provided it is demonstrated by our works.

This is how living faithfully is like a ritual. There are moments when after fall short of expectations we’re given the chance to try again (and God is a teacher who tests us). Each successive attempt only emphasizes the righteousness accounted to faith because we have faith that God continues to be our teacher. Righteousness is defined throughout all of God’s word, including the Laws of Moses (2 Timothy 3:16-17 and Deuteronomy 6:25). As we act righteously, denying ourselves for our Creator, we further establish that faith.

The doctor hadn’t arrived and the contractions were getting more frequent. “Don’t push!” the nurse cried out, then flushed white and ran out of the room in a panic.

It was her first day in the maternity ward and knew only what she was trained for. Contractions were two minutes apart, lasting more than a minute each, and the patient was well over eight centimeters dilated. Ironically, I had read how to deliver a baby in a taxicab in the strange book “The Worst Case Scenario Survival Handbook” just the night before, never imagining I would actually use that knowledge.

A new nurse rushed in and looked at me. “Are you ready?” she asked. “What?” I questioned what she was asking me to do. “Go get some towels, you’re going to deliver a baby!” As I rushed for a towel, another nurse draped one over my arms. I ran back and gave encouragement to the lady who was already in stirrup position. “You’re doing great!” Honestly, I had no idea how she was doing. A nurse told her to push and just as suddenly I was holding up the head of a newborn. The baby was still half way in her mother until after another push when she suddenly slipped out.

The tiny baby was so slick and slippery I was afraid she would drop out of my hands and onto the hard floor. That’s when the coarse towel suddenly made sense. The doctor came in slamming open the door, still clothed in slacks – had he really been golfing!?

I can’t attest for other cultures, but very few American men will ever have the blessing of delivering their own child. That experience continues to teach, and it’s in that lesson I begin this apologetic. Being born doesn’t happen instantaneously. It takes about twenty minutes to fully deliver a baby. In that event there’s a time when the baby is half in and half out no matter how quickly the delivery takes place. Being born again has similar properties.

Abraham’s rebirth began through faith in God and obedience to Him, but his name wasn’t acquired for 25 years. Through that journey Abram continued to change into a more faithful man. It was this faithfulness that was counted as righteousness, not any acts, but the actions that Abram performed reflected his faith. Moses was 40 when he left Egypt and it wasn’t for another 40 years until God revealed Himself to Moses. Jonah was in the belly of a fish for three days. Saul was blinded for for three days. Even Christ was in the grave three days. From the chrysalis of a caterpillar to a butterfly to the metamorphosis of a tadpole to a frog, these periods of changing from one world into the next are reflected in nature as well. The point is that spiritual rebirth isn’t necessarily a sudden event that one can point a date and time to.

In my case, varying events in life – the drama of death to the elation of new birth, the insight of good friends’ late night conversations and the path in my career – each step draws from me a spiritual response just as much as it requires a mental or emotional one. Only die-hard atheists argue that man isn’t a spiritual being. As such there must be a spiritual realm we walk in parallel to our physical one.

Over the years I’ve come to the realization that no singular type of informational source is fully acceptable. As people we have five physical senses and being such, we relate better with multiple formats of learning.

For learning photography there isn’t one “perfect” site to stick with. Each decent site has its strengths, but each of these sites also miss some important topics. There are several sites for learning great general photography techniques, digital photography techniques and post-processing techniques. Many times the general photography and digital photography techniques overlap.

The most important concept, and sometimes the most difficult, for a beginner to grasp is that of exposure. Painters, like most artists, are trained to notice light and shadow. Most paintings compress the dynamic range to allow the viewer to enjoy all aspects of the painting in a similar way that our eyes and brain process images. Photographers, however, need to look at light differently because of the constraints of their primary tool. Cameras see light differently, so when taking a photograph think about lighting like a camera. The most important thing you could learn is how aperture, shutter speed and ISO Sensitivity work together in creating all exposure.

Books:
Scott Kelby’s   Digital Photography
Bryan Peterson’s   Understanding Exposure
National Geographic’s   Photography Field Guide
Bryan Patterson’s   Learning To See Creatively
Bryan Peterson’s   Beyond Portraiture
Brenda Tharp’s   Creative Nature Outdoor Photography

Websites:
Digital Photography School was founded by Darren Rowse. While not much more than a photography hobbyist, he has done an excellent job of collecting ideas and getting guest writers to produce great articles on photography.

Popular photography magazine has a more professional team that still covers the basics. I particularly enjoy their “how-to” section for ideas that range the entire gamut of the digital photography experience.

a href=”http://photo.net”>Photo.net is an interactive learning site with many fantastic articles on learning general photography. This site was founded before digital photography became mainstream so most of its content is geared around general photography. You’ll notice the “Post-Exposure” section is only a small part of their list of tutorials. Here are the main articles I would recommend from this site:

1. Then there are a few online books and articles at Photo.Net. This is the place I got started on since there were no other resources on the internet at that time, but it has some really key articles that every photographer should read.
   1. http://photo.net/learn/making-photographs/
      1. http://photo.net/learn/making-photographs/light
      2. http://photo.net/learn/making-photographs/lens
      3. http://photo.net/learn/making-photographs/exposure
   2. http://photo.net/equipment/tripods/philg
   3. http://photo.net/equipment/tripods/

Those last two links from the photo.net site about tripods are pretty important. It turns out that if you want to do really good professional photography, even in fast lighting, a tripod can greatly improve the results. This is especially true for landscape photography. Of course, with wedding and on-site portrait photography you’re usually very limited to when you can use a tripod, which is when that first article on flash photography techniques (below) becomes excruciatingly important.

Podcasts:
Do you have iTunes? There are some amazing video podcasts for photographers!
Scott Kelby’s Photoshop User TV
Scott Kelby’s D-Town TV (Usually Nikon gear specific)
Ted Forbe’s The Art of Photography

There are other photography podcasts that are really good, but don’t have video – just search for “Learn Photography” or “Photography” in the iTunes search bar then click on the Podcast Section’s “See All” link.

Blogs:
There are blogs that are written by professionals that have amazing information. Below are some of my favorites articles:

1. Flash Photography Techniques from Niel Van Niekerk – http://neilvn.com/tangents/flash-photography-techniques/ – Absolutely the best article on flash photography, period. He now sells a book, but still provides the material free on his site.
2. When buying new equipment I check two sites: Digital Photography Review (http://dpreview.com) and Ken Rockwell (http://www.kenrockwell.com/). Ken Rockwell is very upfront and honest about equipment and talks about certain aspects that others miss. He has a good primer and reminder called “Your Equipment Doesn’t Matter” (http://www.kenrockwell.com/tech/notcamera.htm) and an overview (http://www.kenrockwell.com/tech/aboutrvw.htm) that reminds us that spending big dollars on equipment does not make us any better than well trained eye. Apparently some of the best pictures have been made with really bad equipment (including the really poor camera on the original iPhone).

Personal Experience:
about photography:
Take pictures often. Keep a digital camera at hand always, even if it’s just a cheap point and shoot that you picked up at the Target clearance shelf for $25. After you take pictures, look at them critically and if you have time and it’s possible (some photographic moments are fleeting) return to the site with your nice DSLR for an actual shoot. Look at your EXIF information. This is a photographer journalist’s dream come true! I used to record the f-stop (aperture), shutter speed and ISO along with the subject and shot # on a sheet of paper. That was a pain and took some joy out of the moment, but it’s still just as important. The difference is that nearly all digital cameras record that information for you – even the point and shoots. Now you can look at dozens of technical aspects of the photo from free software to learn from it. I think iPhoto has that ability, but it has been a while since I’ve played around with it. I use EXIF Viewer from opanda software for the PC and as a FireFox extension. Simple EXIF viewer for the Macintosh should be identical to the PC version just mentioned.

about flashes:
I read somewhere that it was better to have multiple SB-600s for the same price as one SB-900. The reasoning behind this is that with the right camera, the SB-600’s become multiple slave sources of light allowing for more control than the single SB-900. What I’ve learned is the type of lighting system you use is really dependent on the type of photography you’ll be doing – e.g. studio photography has more controlled lighting so less featured lights work well while on-site photography has less controlled lighting so flashes with more features and power become desirable and in landscape photography the flash is rarely ever used. Before investing in an expensive lighting system look at renaissance lighting techniques that utilize natural light with a great wow factor: Google “Chairoscuro lighting technique”. You should also use the natural window light technique. My most favorited photo by visitors on Flickr was done through natural window lighting (from a north-facing window).

about tripods:
In a couple of words: Garage Sales. When garage sale season comes up, I look for two things: photo props (e.g. chairs, hats, etc) and tripods. Stick with the following names: Gitzo, Manfrotto, Slik, Sunpak in that order. Gitzo will be the most expensive while Sunpak the least. Also, ball-heads are better than tilt-heads. Finally, you’ll want a tripod with a quick camera release of some sort. Usually it’s in the form of a foot that you screw to the bottom of the camera. Before I knew much about tripods, I was able to get a Gitzo tripod at a garage sale for around $20. I thought it was expensive at the time, but it was very sturdy so I bought it. Turns out to be an $400 tripod. It’s as heavy as a sack of bricks but in the windy mountains it sits very solid, which is critical. My other tripod is a light-weight “cheap” Sunpak. It’s okay for quick indoor shoots, but wobbles when anyone walks past it.

about purchasing camera accessories:
Since I like to trek off the beaten path, and got tired of having hard knobs and metal banging against my back spine, I got an inexpensive tennis racket bag from Salvation Army to carry the tripod in. In other words, since good tripods and tripod accessories are so expensive and cheap tripods and accessories are so plentiful, keep an eye open for the good ones at garage sales, flea markets and pawn shops and compromise when it makes sense. A benefit of getting beaten up, tattered and torn camera bags from these places is thieves overlook them for the snazzy new $100 looking bags that other tourists carry. If you noticed, the camera bag I looked at in the store didn’t look like a typical camera bag. The only accessories that most photographers don’t skimp on, and are very picky with are the lenses. Lenses range from $100 to $2000+. I have purchased some good used lenses, but only after really scrutinizing them through my camera body and taking a few test shots with them first.

about post-processing (sometimes called post-exposure):
Post-processing usually involves Photoshop, but can often be done with an equal quality with Gimp, a free open-source version. A new license of Photoshop usually runs around $600, though it can be had for as low as $200 on special occasions (as an upgrade path). Be very wary of eBay. I bought a copy of Photoshop from someone there and it ended up being pirated. Pirated versions have TEMPORARY license keys. After a couple of days your “bargain” $200 purchase of the $600 license will be rendered useless. I knew enough about Adobe products to pin the guy down the hour I received it. He quickly refunded my money in fear of being reported to the authorities. So caveat emptor. Gimp is free and, though the menus and hot-keys are different, the main functionality that you need for photo touch-ups are there. The most powerful are your layers, masks, Hue-Saturation-Brightness, Levels and Curves. 90% of all my post-ops involve only the last three while 9% of the rest only involve the full five. That last 1% is for special filter, convergence, and alignment functions. Another growing-popular choice for photographers is a workflow processing program called “Light Room”. This one normally runs $200, but could go as low as $100 on special occasions. Again, eBay can be a great place to get this, but “buyer beware” still applies. Light Room is also from Adobe and utilizes the same temporary license key technique that disables your software if its server discovers it to be pirated. For the past few years companies have been writing software that not only automatically updates the program when new bugfixes come out, but also reports to the server the license keys to determine if its legit or not.

Get Plugged-In:
Once you know the rules you’ll know when to break them and have the power of knowledge to deliberately do so. Even so, you need to be around others who are also familiar with these rules to give good direction and advice. Also there will be times when you get the equivalent of “writers block” and will need a push or an inspired idea to get rolling again.

You should get plugged into a social network photography site such as Flickr. From there you can join groups that will inspire, broaden and even critique your photography. At the very least, it allows a quick way for you to share your photos with friends and family. My wife likes to use the i heart faces social photography site.

And if you use someone else’s idea, or if a picture you see posted on the internet inspired you to take a few shots be sure to mention it. It’s okay to pull someone else’s hat trick as long as they get credit for the idea.

Finally – have fun. Enjoy it. If it becomes laborious you’ll resent it.
Catch me on Flickr