For learning photography there isn’t one “perfect” site to stick with. Each decent site has its strengths, but each of these sites also miss some important topics. There are several sites for learning great general photography techniques, digital photography techniques and post-processing techniques. Many times the general photography and digital photography techniques overlap.

The most important concept, and sometimes the most difficult, for a beginner to grasp is that of exposure. Painters, like most artists, are trained to notice light and shadow. Most paintings compress the dynamic range to allow the viewer to enjoy all aspects of the painting in a similar way that our eyes and brain process images. Photographers, however, need to look at light differently because of the constraints of their primary tool. Cameras see light differently, so when taking a photograph think about lighting like a camera. The most important thing you could learn is how aperture, shutter speed and ISO Sensitivity work together in creating all exposure.

Books:
Scott Kelby’s   Digital Photography
Bryan Peterson’s   Understanding Exposure
National Geographic’s   Photography Field Guide
Bryan Patterson’s   Learning To See Creatively
Bryan Peterson’s   Beyond Portraiture
Brenda Tharp’s   Creative Nature Outdoor Photography

Websites:
Digital Photography School was founded by Darren Rowse. While not much more than a photography hobbyist, he has done an excellent job of collecting ideas and getting guest writers to produce great articles on photography.

Popular photography magazine has a more professional team that still covers the basics. I particularly enjoy their “how-to” section for ideas that range the entire gamut of the digital photography experience.

a href=”http://photo.net”>Photo.net is an interactive learning site with many fantastic articles on learning general photography. This site was founded before digital photography became mainstream so most of its content is geared around general photography. You’ll notice the “Post-Exposure” section is only a small part of their list of tutorials. Here are the main articles I would recommend from this site:

1. Then there are a few online books and articles at Photo.Net. This is the place I got started on since there were no other resources on the internet at that time, but it has some really key articles that every photographer should read.
   1. http://photo.net/learn/making-photographs/
      1. http://photo.net/learn/making-photographs/light
      2. http://photo.net/learn/making-photographs/lens
      3. http://photo.net/learn/making-photographs/exposure
   2. http://photo.net/equipment/tripods/philg
   3. http://photo.net/equipment/tripods/

Those last two links from the photo.net site about tripods are pretty important. It turns out that if you want to do really good professional photography, even in fast lighting, a tripod can greatly improve the results. This is especially true for landscape photography. Of course, with wedding and on-site portrait photography you’re usually very limited to when you can use a tripod, which is when that first article on flash photography techniques (below) becomes excruciatingly important.

Podcasts:
Do you have iTunes? There are some amazing video podcasts for photographers!
Scott Kelby’s Photoshop User TV
Scott Kelby’s D-Town TV (Usually Nikon gear specific)
Ted Forbe’s The Art of Photography

There are other photography podcasts that are really good, but don’t have video – just search for “Learn Photography” or “Photography” in the iTunes search bar then click on the Podcast Section’s “See All” link.

Blogs:
There are blogs that are written by professionals that have amazing information. Below are some of my favorites articles:

1. Flash Photography Techniques from Niel Van Niekerk – http://neilvn.com/tangents/flash-photography-techniques/ – Absolutely the best article on flash photography, period. He now sells a book, but still provides the material free on his site.
2. When buying new equipment I check two sites: Digital Photography Review (http://dpreview.com) and Ken Rockwell (http://www.kenrockwell.com/). Ken Rockwell is very upfront and honest about equipment and talks about certain aspects that others miss. He has a good primer and reminder called “Your Equipment Doesn’t Matter” (http://www.kenrockwell.com/tech/notcamera.htm) and an overview (http://www.kenrockwell.com/tech/aboutrvw.htm) that reminds us that spending big dollars on equipment does not make us any better than well trained eye. Apparently some of the best pictures have been made with really bad equipment (including the really poor camera on the original iPhone).

Personal Experience:
about photography:
Take pictures often. Keep a digital camera at hand always, even if it’s just a cheap point and shoot that you picked up at the Target clearance shelf for $25. After you take pictures, look at them critically and if you have time and it’s possible (some photographic moments are fleeting) return to the site with your nice DSLR for an actual shoot. Look at your EXIF information. This is a photographer journalist’s dream come true! I used to record the f-stop (aperture), shutter speed and ISO along with the subject and shot # on a sheet of paper. That was a pain and took some joy out of the moment, but it’s still just as important. The difference is that nearly all digital cameras record that information for you – even the point and shoots. Now you can look at dozens of technical aspects of the photo from free software to learn from it. I think iPhoto has that ability, but it has been a while since I’ve played around with it. I use EXIF Viewer from opanda software for the PC and as a FireFox extension. Simple EXIF viewer for the Macintosh should be identical to the PC version just mentioned.

about flashes:
I read somewhere that it was better to have multiple SB-600s for the same price as one SB-900. The reasoning behind this is that with the right camera, the SB-600’s become multiple slave sources of light allowing for more control than the single SB-900. What I’ve learned is the type of lighting system you use is really dependent on the type of photography you’ll be doing – e.g. studio photography has more controlled lighting so less featured lights work well while on-site photography has less controlled lighting so flashes with more features and power become desirable and in landscape photography the flash is rarely ever used. Before investing in an expensive lighting system look at renaissance lighting techniques that utilize natural light with a great wow factor: Google “Chairoscuro lighting technique”. You should also use the natural window light technique. My most favorited photo by visitors on Flickr was done through natural window lighting (from a north-facing window).

about tripods:
In a couple of words: Garage Sales. When garage sale season comes up, I look for two things: photo props (e.g. chairs, hats, etc) and tripods. Stick with the following names: Gitzo, Manfrotto, Slik, Sunpak in that order. Gitzo will be the most expensive while Sunpak the least. Also, ball-heads are better than tilt-heads. Finally, you’ll want a tripod with a quick camera release of some sort. Usually it’s in the form of a foot that you screw to the bottom of the camera. Before I knew much about tripods, I was able to get a Gitzo tripod at a garage sale for around $20. I thought it was expensive at the time, but it was very sturdy so I bought it. Turns out to be an $400 tripod. It’s as heavy as a sack of bricks but in the windy mountains it sits very solid, which is critical. My other tripod is a light-weight “cheap” Sunpak. It’s okay for quick indoor shoots, but wobbles when anyone walks past it.

about purchasing camera accessories:
Since I like to trek off the beaten path, and got tired of having hard knobs and metal banging against my back spine, I got an inexpensive tennis racket bag from Salvation Army to carry the tripod in. In other words, since good tripods and tripod accessories are so expensive and cheap tripods and accessories are so plentiful, keep an eye open for the good ones at garage sales, flea markets and pawn shops and compromise when it makes sense. A benefit of getting beaten up, tattered and torn camera bags from these places is thieves overlook them for the snazzy new $100 looking bags that other tourists carry. If you noticed, the camera bag I looked at in the store didn’t look like a typical camera bag. The only accessories that most photographers don’t skimp on, and are very picky with are the lenses. Lenses range from $100 to $2000+. I have purchased some good used lenses, but only after really scrutinizing them through my camera body and taking a few test shots with them first.

about post-processing (sometimes called post-exposure):
Post-processing usually involves Photoshop, but can often be done with an equal quality with Gimp, a free open-source version. A new license of Photoshop usually runs around $600, though it can be had for as low as $200 on special occasions (as an upgrade path). Be very wary of eBay. I bought a copy of Photoshop from someone there and it ended up being pirated. Pirated versions have TEMPORARY license keys. After a couple of days your “bargain” $200 purchase of the $600 license will be rendered useless. I knew enough about Adobe products to pin the guy down the hour I received it. He quickly refunded my money in fear of being reported to the authorities. So caveat emptor. Gimp is free and, though the menus and hot-keys are different, the main functionality that you need for photo touch-ups are there. The most powerful are your layers, masks, Hue-Saturation-Brightness, Levels and Curves. 90% of all my post-ops involve only the last three while 9% of the rest only involve the full five. That last 1% is for special filter, convergence, and alignment functions. Another growing-popular choice for photographers is a workflow processing program called “Light Room”. This one normally runs $200, but could go as low as $100 on special occasions. Again, eBay can be a great place to get this, but “buyer beware” still applies. Light Room is also from Adobe and utilizes the same temporary license key technique that disables your software if its server discovers it to be pirated. For the past few years companies have been writing software that not only automatically updates the program when new bugfixes come out, but also reports to the server the license keys to determine if its legit or not.

Get Plugged-In:
Once you know the rules you’ll know when to break them and have the power of knowledge to deliberately do so. Even so, you need to be around others who are also familiar with these rules to give good direction and advice. Also there will be times when you get the equivalent of “writers block” and will need a push or an inspired idea to get rolling again.

You should get plugged into a social network photography site such as Flickr. From there you can join groups that will inspire, broaden and even critique your photography. At the very least, it allows a quick way for you to share your photos with friends and family. My wife likes to use the i heart faces social photography site.

And if you use someone else’s idea, or if a picture you see posted on the internet inspired you to take a few shots be sure to mention it. It’s okay to pull someone else’s hat trick as long as they get credit for the idea.

Finally – have fun. Enjoy it. If it becomes laborious you’ll resent it.
Catch me on Flickr

Cave photography is tricky for several reasons. This is especially true if you’re trying to use the “natural” lighting that cave tours provide.

I tend to like the orange red glow of incandescent lighting, and taking pictures without a flash emphasizes my personal memory of the experience. While using a flash yields better sharpness, it also changes the lighting to something other than what you remembered seeing. However, it does show the true nature of the rock which tends to be browns and tans. Flash is nice if you’re wanting to study the geological formations, but not as nice if you’re wanting the feel of that memory.

1. Come Prepared

2. Expect Grain

3. Set To Burst

Camera shake isn’t as severely noticed in long exposures, but hand-holding a camera means it’s shots will be based on your overall stability on those slippery floors. The general rule is anything longer than 1/60 of a second should be on a tripod. Of the four different caves I’ve gone to, you couldn’t bring those in unless you have special permission. Somehow the flow of shots or burst shooting helps improve these odds.

4. Be Polite And Trail Behind

In fact, I was so far back that the tour group behind us was just a few feet away – these tours were in 15 minute intervals. I wouldn’t suggest this if you were in the last tour of the day. Zoiks! Getting locked in one of these caves with all the lights out would be terrifying!

5. Seek Sensible Stability

We emit oils and acids that create a water barrier on these stones. That means the water won’t settle on these spots anymore to deposit the minerals that keep these formations “alive”. I think the fine here was around $15,000!

6. Protect Your Assets

7. Remember Variety

8. Be Liberal With Your Photography

9. Last words of wisdom? Hmmm…

If I were to do this again, it would be by myself instead of with a family of kids and relatives. It’s an inconvenience to them. I’d warn the tour guide that I’m a shutterbug so I lag behind, then offer a small tip – like $5 or $10 in advance. In American Indian tours, they usually take a $20 – but a good Indian guide is easily worth that … some of the great shots in my Antelope Canyon trip were a direct result of advice from the guide! I would also ask the manager what types of accommodations could be made or if there were any special photography tours.

10. Final Words and Thanks

When I was young I just wanted to make stuff for the pleasure of it. When I got older I was told that wasn’t a way to make a living.

I disagree. God made things for a living so I guess those people’s attempts to civilize me into a common worker bee never quite stuck because of my higher childlike “ideals”.

My parents were pretty good with supporting me through it. Mom is an excellent painter and Dad is a great musician. They weren’t like the other grown ups who usually attended school board council meetings. That is, they weren’t looking for a way to build a society – just looking for a way to raise great kids.

If more people took up their personal responsibility to raise their kids instead of handing their kids off to the village (idiots) to raise them, I think they would discover that children are important… they’re a joy… they bring back those squishy playdough, colored in fingerpaint, bruised knees from playing in the rocks moments. That imagination is never really lost – not completely, anyway – it’s just suppressed. And like a good expectorant, when you have kids that creativity just spits right back up!

Enjoy the free cave and art textures:
Cave Textures
Art Textures

I love it when people blog and use the photography I post up on flickr. This has got to be one of the best uses of flickr around, and as long as people aren’t posting my silly mug up on posterboards or commercials without my consent I have practically no concern on the matter. Some of my photos have even been on pages supporting political groups that I don’t, but it was clear from the article that the photo was used to set a visual tone rather than to say that the photographer promoted the material.

The latest blog to use one of my photos is Alan Morantz’s Leading Thoughts. In this article he discusses how art can be used to develop leadership skills! Cool! That’s actually one of the reasons for the many photographs up on flickr and blogposts lately. I’m trying hard to learn a certain level of diligence that will hopefully lead to better leadership and organizational skills. I’m also trying to put something creative out there that can be used to enrich the world and bring happiness to others. I’m not good enough to make blogging or photography a full-time business, but someday I might learn some great hidden nugget of wisdom and become a world-renown motivational speaker to twelve-year-olds that will allow me to indulge in supplimenting the task with photography and blogs. Then again, reality tells me I should get back to work – lunch break is over!

Every time I get these choices I tend to pick the safer and less embarrassing of the two. I wonder which way I’ll turn this time.

Another creative venue is photography. There are some amazingly brilliant works on Flickr and I’ve long enjoyed it, but the 200 picture limit on free accounts caused me to pull back almost entirely. I shelled out the $25 and am going in deep.

I thought about going into portrait photography, but my skills there are so limited. I’ve got to think about new forms of expression, and need to learn work flow. So the skills I expect to acquire from this experience will propel me into new ideas, better management of content and more enjoyment than anything the digital airways has to offer.

This is the second of the “365 days” group entries. Not only do I have to take a picture every day, it has to be of myself. That’s a tough subject because I’ve always hated portraits of myself – and now I have to step out of that comfort zone and take one every day.

This picture was inspired from thinking about biblical times and wishing I were any one of those disciples that surrounded Jesus. Well… maybe not Judas Iscariot, but one of those other ones.

Sometimes I need a kick in the head … or at least in the pants. With middle age comes a more present awareness of our mortality.

Washington Irving was 36 years old when he published “The Sketch-Book”, including tales of old age (Rip Van Winkle) and death (The Legend of Sleepy Hollow). Although these were satire in nature, they were clearly aimed at the darker forces that envelop men even today. In these two stories he addresses pride and antisemitism under the guise of patriotism and covetous greed that’s fed under an heir of intellect and stature.

The first is an obvious snobbery that taunts and threatens every outcast to the point that outcasts wouldn’t exist without it. The second is more subtle and makes for a great study on literature. Even the smartest and most learned individual can fall into ignorance by the simplest and stupidest lack of moral character.

When these works were published they were touted by England as the first true sense of unique American literature in history. This is 30 years after the United States Constitution had been fully ratified and the government operations described therein realized. Our nation was still in its infancy.

Other works of literature that emphasized the dismal state of our mortality both physically and spiritually seem to have been developed at or past mid-life. Edgar Allen Poe wrote the Raven when he was 36, just four short years before his untimely demise. Dracula was written when Bram Stoker was 50. At 34 and 36, respectively, Stevenson wrote the Body-Snatcher and the Strange Case of Dr. Jekyll and Mr. Hyde.

The only strong literary works that I could find of similar gruesome content written by authors at younger ages involved the Year without a Summer. On July 1816, the inception of Frankenstein and The Vampyre occurred on a creative dare instigated by Lord Byron after reading Phantasmagoria. Mary Shelley was 19 and John Polidori was 21.

No man can know when his time is up. Luke 12:20 paints a dim picture of a rich man who swells with pride at his accomplishments, destined to die that night.

So in our mortal state, what do we do? Gravestones rot and break away. People are only remembered two or three generations at best, then forgotten. Each marker tells a story, but each story – like the fires that smoldered the great Alexandrian Library – are lost and unrecognizable.

My dad considered the brevity of life and suggested that our brief time on Earth is meaningless without good relationships. It won’t be an intelligent and powerful person who finds worth in your ability who will hire you when you lose a job, it will be the friend who see a friend in need. Getting along well with others is essential to life, and living life in isolation brings a cold demise … there will be enough isolation as we’re buried alone.

Rock Ledge Ranch celebrated their 100th anniversary last Saturday. My wife was charmed by the community’s involvement – particularly the appearance of the Ladies of the Evergreen Cemetery. This is a group of women who dress in period costume to represent some of the people buried in the prestigious Evergreen Cemetery. Their costumes were elaborate Victorian and Edwardian era style and most included parasols. It’s amazing how much better the photos turned out because of the parasols in the blazing sunlight. Just Lovely!

That same afternoon, I caught a glimpse of a Rock Ledge Ranch docent walking towards the grounds church. It made me think of how hundreds of years ago, people wouldn’t even hitch up their horses on the Sabbath because that would be making the horses work. They walked quite a distance to get to their church. This solemn scene was a big contrast to the gaiety throughout the rest of the park. Perhaps through its supplication it felt more sincere.

Later in the evening a terrific storm brewed over Garden of the Gods. The rain hit the road so hard it created a fine four-inch thick heavy mist hovering over it. Lightning lit up the park from behind the monoliths. It was amazing. I became soaked, but fortunately the equipment just got a few drops.

Last week my family went on a circle tour of some great desert locations including a stop at Page Arizona. Page is nestled against the Navajo Nation reservation where the Antelope canyon and other slot canyons rest within wind carved sand dunes. We hired a Navajo guide to take us onto their land and had a great time taking pictures.

Several decades ago these slot canyons were open and free to the public. They had been discovered by sheep herders who would inevitably find their animals resting in the cool shade during the heat of the day within these slot canyons. Over time they brought friends in to see the canyons and ultimately closed them off from the public and started charging admission. This is usually anywhere from $15 to $45 per person depending on how duration and time of day the tour takes place.

Some tour guides don’t count their guests which means people do occasionally get left behind in the desert. Strange policies are in place which prohibit any tour guide other than the one who brought the guest to drive them out of the 5 miles of burning hot desert. For this reason alone you want a reputable tour guide. We used Robert and Carolene Ekis’ company as our guides.

It should also be forewarned that they are heavy on the guilt trips when wanting to milk high gratuities from you. This goes double if they think you are a professional photographer. Tips may go anywhere from $5 for a disgruntled look to $20 for a half-hearted “thank-you”. A general guideline is at least $5 per adult and $1 per child for a basic visit. If they’re very helpful with pointing out shot locations tack on another $5 or so. Professional photographers get some special treatment (don’t know what) and it sounded like they wanted at least a $20 tip from them.

For an Indian guide to retain rights to bring tours into the canyons they have to perform a ceremony within them each year. They give homage to the earth, water and sky. Not exactly sure what that entails.

It was great fun. If I return, I’ll make sure to get special permission to sell the photos. Without that certificate the photos have to remain free and for non-profit use only. Almost sounds like open-source photography.