Argh.

I know I’ve been holding out. There was intent to release them, but now that will just have to wait longer. I had a few songs in the works and somehow lost the audacity data folders.

I don’t know – maybe this is a good thing for you. My singing voice is hardly what I’d call inspirational unless you’re a howling dog. But I strive to add some value to the nether regions of the internet. If everyone just posted about a few pieces of entertaining muse on the internet, be it a viral video or a nicely done graphic or a catchy public domain mp3, we would still be suppressed in the 20th century.

The web has become a dumping ground of sorts – there’s a whole lot of trash out there – but there are also some real diamonds in the rough. Take Jonathan Coulton for instance. He somehow did what nearly all of us dream of. Of course being highly talented helps.

Most of the big stars out there are not all that talented, but they applied themselves so they’re the names you see. You see Madonna or Leonardo DiCaprio rather than the ever hidden closet-singing American Idol never-be because he or she didn’t put their neck out on the line. Then after some time, these somewhat talented stars who did put their neck out become more refined in their profession.

Not too long ago I spoke with someone I work for. During which it was basically said that I wasn’t creative, that I didn’t like change and that my strength rested in creating analytical algorithms. Two weeks later I was repositioned in the company. The new position essentially removes analytical algorithm development from the list. The change is because, as it was explained, it would bring the company more money.

It was evident that me being a (tongue-in-cheek) wuss had its hand in the decision more than money alone. I’ve always been a push-over, a wuss, an easy bite. I like flowers and cooking and topiaries. I hate boxing and football and burly guys who generally used me for practicing their punches and tackles.

Now that my wussiness had come out of the closet, I had to stare at my navel. After some serious hairy-wus navel staring, I’ve come to the conclusion that some wrong assumptions were made. I had to look at the evidence, though, to convince myself of this.

“What is creativity?”, I had to ask. I would define it as a strong imaginative involvement in the design. Skill would be the ability to execute that design. Van Gogh as a grown painter was both creative and skilled. A three year old Van Gogh with a box of crayons would only be creative – not skilled, though Jackson Pollock might disagree. Hand a fourteen year old Van Gogh a pencil and add the careful instruction of Huysmans and that begins to change.

So where did I show creativity and execute it skillfully?

1. 1992 Founded and moderated the first wan-based network poetry conference for bitnet, a national university network before their use of the internet.
2. 1993 Won position in Texas State University’s annual creative writing competition, “personna”.
3. 1994 Constructed the university’s first public web server based off of CERN’s HTTP but rewritten to allow extend server side script interpretation, advanced logging and basic load balancing.
4. 1994 Began construction of one of the first world wide web’s romance themed sites. There were only a few thousand sites on the internet at the time. This site, “Romantic Gestures” became internationally renown; articles about it were published in Germany, Sweden, the UK and Japan. It also won accolades in the United States, including one from Netscape for most innovative use of technology.
5. 1995 Wrote one of the worlds first web-based graphical web-usage applications. It would generate its own charts rather than spit out the web log file. This application was purchased with my employment to Promus.
6. 1996 Worked with a highly intelligent crew at Promus Hotels to create the world’s first real-time online reservation service of anything. At this time, all reservations from competitors were nothing more than glorified emails to a reservation agent. We allowed direct access to the database and provided features that weren’t even available to agents at the time, such as alternate availability in close proximity locations when your initial parameters couldn’t be fulfilled.
7. 1996 Developed one of the world’s first virtual reality hotel room previews. This preview wasn’t designed for people making reservations, but rather for potential franchise buyers. The technology is, however, still similar but extended beyond QuickTime VR. It incorporated Director and VRML in a stand-alone application wrapper.
8. 1997 Worked with Netscape and FedEx to build the world premier of push-pull technology. Here we used a product called Marimba, which was a RAD environment for creating Java applets. I had direct involvement with field testing the Internet Foundation Classes, that pre-cursored Swing.
9. 1998 Went freelance. Won Pixelpalooza honorable mention. Designed and developed intranet solutions for Omnipoint.
10. 1999 Began working as a consultant employee. During this time many hats including lead application design, software engineering, software development, testing and deployment, IT infrastructure development, management and maintenance. Additionally, my creative talents were called to create the company’s website, providing its first high-profile image on the web.
11. 1999 Began other cool super secret fuzzy logic projects that used the following 529 skills: [insert 2 pages of semantic keyword expressions here to impress my friends and make them cower in Dilbert-like inadequacy at my foreboding ability to throw out acronyms - mua hah hah haaaaa].

That’s just the business aspect – over the years up until two years ago I used to be engaged in: writing children’s music, leading worship in my church’s children’s ministry, photoshopping contests, graphic development, icon contests, flash development, multimedia kiosk design and development, even proof-checking web design books. These abilities require a combination of analytical and creative skills.

What changed two years ago? I’m not sure. I started feeling inadequate and lost my muse. The music stopped. I left the ministry and became dormant. The energy and will to express creativity just wasn’t there. I withheld many of my opinions. Rather than seeing conflict as a door for challenges and an opportunity to view different viewpoints, I began to experience conflict as … just wearisome conflict that could cost me my job. Not practicing my instruments made me rusty, which made me feel more inadequate and discouraged.

In all reality, the whole world is not pitted against me, but I allowed myself to only see points where it was.

The past year, however, something started brewing. I began posting photos up on flickr. A photo got published in DC Guide. Other photos ranked high on the interestingness pages. I am nowhere near the high level of talent posted on flickr… but I’m a part of it. Now I’m exploring venues to express my creativity again.

There is, however, one assumption that is deserved. That is, if my employer inversely equates change with stability then he’s right. I like stability… something or someone I can depend on and rely on. On the flip-side, I appreciate having the reputation of being someone others could rely upon even in pressing matters and undesirable tasks. Loyalty is possibly more important to me than it is in the mob. When I realize that I let anyone down, I take it hard … really hard … then I try hard to rebuild that reputation.

But I just have this drive to be creative. What to do? I have satisfaction in knowing three things.

First, it’s an incredible company even with my position, which by definition forces career growth to pass me by. The people in it are generally committed and highly intelligent. Besides, there are unspoken benefits to my position. It’s like having the ability to be a doctor, but choosing to be a nurse because it has different rewards.

Second, God has me where He wants me. I can’t argue with that. In fact, I have to remind myself that I ultimately work for God, not a company. He’s not pleased when I give anything less than my best – so I give my best at the workplace. I’m working on changing myself to also give just as much to my household. It’s a tough order to fill, and I won’t be perfect, but by trying my best there’s that satisfaction.

Finally, because it’s considered that the creativity I have doesn’t offer the company value, there are fewer business demands on my time. This could be a very good thing. It allows me to cut back my hours to a more regular 45 hour weeks, take my vacation time and spend this (extra) time with my family and going back to grass roots – creating what I love: writing music, designing websites, building ideas.

My dad invented incredible equipment that revolutionized the aviation industry. My grandfather built incredible rides and amusements in Disneyland. My mom is an accomplished painter, my grandmother a philanthropist. Even my father-in-law has impressive credentials. I don’t intend on watering down the talented achievements that flower our family tree with an apathetic complacency.

Creativity is not merely self expression – it enhances and defines our culture and philosophies. It speaks spiritually and is attentive to those who receive it. It is the evidence of liberty.

Creativity encompasses and explores its boundaries then expands them like puffing into an inflatable latex glove. It brightens our lives with humor and insight, giving it all double meaning. It defines who we are, yet at the same time is little more than a mirror of the definition we give ourselves.

JCBSONG by Nizlopi: Monkeehub presents a music video to the single ‘JCB’ by band ‘Nizlopi’. It’s way awesome! Don’t forget to read all the credits.

Here’s the story behind the song from the monkeyhub site:

About the JCB song:

Being dyslexic in the early 80′s (oh the irony… give people who can’t spell a word that nobody can spell) Luke’s school days weren’t always that easy. Indeed he was victimized at school, not just by bullies, but by the school itself… so when he sings of “all the bullies and the teachers and their pets…” he knows what he’s talking about and this very much comes from the heart. There were school days when Luke’s Dad would decide he needed some “compassionate leave” and would take him to work, where the five year old would ride proudly on the toolbox of the old JCB and cook up vivid imaginings of diggers morphing into Jurassic monsters, vanquishing his school yard tormentors in a Bruce Lee, B.A. Barachus or Transformer style-lee – such fantasies so masterfully brought to life in Monkeebub’s Animation.

Because JCB Song embodies such real childhood experiences that I’m sure anyone who’s ever had a tough time at school can relate to, it is easy to appreciate why it strikes a chord with so many and has literally captured the hearts and imaginations of thousands (millions?) of people world-wide. Mid-December 2005 saw JCB Song released into the UK and Ireland charts, simultaneously entering at Number 1 and staying in the top ten for 8 weeks amassing 400,000+ sales (Gold Disc) in the UK and selling Double Platinum in Ireland.

While Luke and his father may have been holding up traffic on the by-pass, the adventures had in their “big yellow digger” have inspired floods of people to come see the beautifully playful JCB Song Animation, resulting in jcbsong.co.uk receiving over 1 million hits and counting, and the award-winning video being recognized globally as a work of pure genius. The public response to the song, site and video has been overwhelming with thousands of emails received from all ages, and from all around the globe, expressing their heart felt compassion and enthusiasm for the songs sentiments and Luke’s experiences.

The songs by Nizlopi represent fresh, child-like innocence… remember back when your dad was such a hero that nothing was bigger or better then he? Nobody knew anything as much as he did; nothing he did could let you down. Yeah – it’s that.